Born 1970
Lives and works in Brooklyn, NY
| 1996 | Whitney Museum Independent Study Program, New York, NY |
| 1994 | Brown University, Providence, RI, BA |
| 2011 | Bracket, Greenberg Van Doren Gallery, New York, NY (catalogue) |
| 2009 | Ski Dubai, The Suburban, Oak Park, IL |
| 2008 | Gallery Min Min, Tokyo, Japan Galerie Nikolaus Ruzicska, Salzburg, Austria |
| 2007 | Eclipse, Greenberg Van Doren Gallery, New York, NY (catalogue) Eleven Rivington, New York, NY |
| 2006 | Focus 3: Cameron Martin, Philbrook Museum of Art, Tulsa, OK Currents 97: Cameron Martin, Saint Louis Art Museum, Saint Louis, MO |
| 2005 | Works on Paper, Greenberg Van Doren Gallery, New York, NY (catalogue) Law of Ruins, G Fine Art, Wahington D.C. |
| 2004 | A Turn Pale, Gallery Min Min, Tokyo, Japan (catalogue) Clear Skies, Artemis Greenberg Van Doren Gallery, New York, NY |
| 2003 | Never Rider, Gallery Min Min, Tokyo, Japan |
| 2002 | Standstill, Artemis Greenberg Van Doren Gallery, New York, NY (catalogue) |
| 2001 | New Paintings, Kevin Bruk Gallery, Miami, FL |
| 2000 | Cameron Martin, Angstrom Gallery, Dallas, TX |
| 1999 | Future Views, Tate, New York, NY The Future Lasts Forever, Howard House, Seattle, WA |
| 2011 | Reclaimed, Seattle Art Museum, Seattle, WA Surveyor, Albright Knox Art Gallery, Buffalo, NY |
| 2010 | Art on Paper Biennial, Weatherspoon Art Museum, Greensboro, NC (catalogue) roundabout, City Gallery Wellington, New Zealand, traveling to Tel Aviv Museum, Israel (catalogue) Force of Nature, The Horticultural Society of New York, New York, NY Guatavita, Eleven Rivington, New York, NY Grass Grows By Itself, Marlboro Gallery, New York, NY, curated by Sima Familant Swell: Art 1950-2010, Friedrich Petzel, New York, NY |
| 2009 | edia Int’l Group, Foundation Barbin, New York, NY Uncharted, University at Albany Art Museum, Albany, NY Infinitesimal Eternity: Images Made in the Face of Spectacle, Yale School of Art, New Haven, CT (catalogue) Untitled (A Brink of Infinity), Western Bridge, Seattle, WA |
| 2008 | Gray, Dinter Fine Art, New York, NY Water, G Fine Art, Washington D.C. The Group Exhibition, Gallery Min Min, Tokyo, Japan |
| 2007 | In Monet’s Garden, Columbus Museum of Art, Columbus, OH, traveling to the Musée Marmottan, Paris, France (catalogue) Back to Nature, Galerie Ruzicska, Salzburg, Austria Neointegrity, Derek Eller Gallery, New York, NY Microwave 5, Josée Bienvenu Gallery, New York, NY Shipworm and Gribble, Secret Project Robot, Brooklyn, NY Back East, Mandrake, Los Angeles, CA New Prints 2007/Spring, International Print Center New York, New York, NY Melvins, Mandrake, Los Angeles, CA Water, Ferragamo Gallery, New York, NY |
| 2006 | Ruth Root, Alex Brown, Cameron Martin, Sally Ross, Gallery Min Min, Tokyo, Japan Pop and After, Saint Louis Art Museum, Saint Louis, MO Tandem Press Highlights 1995-2005, Chazen Museum of Art, Madison, WI Selections from the John Morrissey Collection, Armory Art Center, West Palm Beach, FL (catalogue) |
| 2005 | Structure, Lucas Schoormans Gallery, New York, NY No Facsimile, Florescent Gallery, Knoxville, TN Terra non Forma, Howard House Contemporary Art, Seattle, WA Short Stories: Contemporary Selections, Henry Art Gallery, Seattle, WA |
| 2004 | Whitney Biennial, Whitney Museum of American Art, New York, NY (catalogue) Wayne Gonzales, Bill Adams, Cameron Martin, KS Art, New York, NY Stay Inside, Shoshana Wayne Gallery, Santa Monica, CA Colored Pencil, KS Art, New York, NY New Prints 2004/Winter, International Print Center New York, New York, NY |
| 2003 | Giverny, Salon 94, New York, NY Nature Boy, Elizabeth Dee Gallery, New York, NY curated by Doug Wada Melvins, Anton Kern Gallery, New York, NY, curated by Bob Nickas How Come, Stux Gallery, New York, NY, curated by Max Henry City Mouse/Country Mouse, Space 101, Brooklyn, NY, curated by David Hunt |
| 2002 | Contemporary Art Project Collection, Seattle Art Museum, Seattle, WA (catalogue) Everybody Knows This is Nowhere, Kevin Bruk Gallery, Miami, FL Painting and Illustration, Luckman Gallery, California State University, Los Angeles, CA, curated by Adam Ross Linger, Artemis Greenberg Van Doren Gallery, New York, NY The Sea, the Sea, Glen Horowitz Bookseller, East Hampton, NY Guide to Trust No. 2, Yerba Buena Center for the Arts, San Francisco, CA, curated by ANP (catalogue) |
| 2001 | Three Painters: Eva Lundsager, Cameron Martin, Louise Belcourt, Lawrence Rubin Greenberg Van Doren Fine Art, New York, NY |
| 2000 | Twice Born: Beauty, Mills Gallery, Boston Center for the Arts, Boston, MA 3ness, Museum Dhondt-Dhaenens, Deurle, Belgium, curated by Dike Blair, Jimi Dams and Edith Doove (catalogue) Shifting Ground: Transformed Views of the American Landscape, Henry Art Gallery, Seattle, WA, (catalogue) Flat File, Bellwether Gallery, Brooklyn, NY |
| 1999 | Other Paintings, Huntington Beach Art Center, Huntington Beach, CA, curated by Julie Joyce Another Country, Lawrence Rubin Greenberg Van Doren Fine Art/ Brent Sikkema, New York, NY Air Hockey, Howard House, Seattle, WA Antiworld, Gallery Untitled, Dallas, TX |
| 1998 | Open, Tate, New York, NY Landscapes, Meyerson Nowinski Gallery, Seattle, WA |
| 1997 | Apartments, Artra, Milan, Italy |
| 1996 | 1996A, Holly Solomon Gallery, New York, NY Images Lost and Found, Chassie Post Gallery, New York, NY |
| 1995 | Northwest Annual, Center on Contemporary Art, Seattle, WA |
| 1994 | Home, The Bellevue Art Museum, Bellevue, WA |
| 2010 | John Simon Guggenheim Memorial Foundation Fellowship |
| 2008 | Joan Mitchell Foundation Fellowship |
| 2006 | Steep Rock Arts Residency, Washington, CT |
| 2005 | Freund Teaching Fellowship, Washington University, Saint Louis, MO |
| 2001 | Artists at Giverny Fellowship and Residency, France |
| 2000 | Pollock-Krasner Foundation Award |
| 1994 | Samuel T. Arnold Fellowship |
Albright Knox Art Gallery, Buffalo, NY
Cleveland Museum of Art, OH
Henry Art Gallery, Seattle, WA
Minneapolis Institute of Art, MN
Philbrook Museum, Tulsa, OK
Saint Louis Art Museum, MO
Seattle Art Museum, WA
University of Wisconsin, Madison, WI
U.S. State Department Art Bank Program, Washington DC
Whitney Museum of American Art, New York, NY
| 2011 | “Cameron Martin”, The New Yorker, April 25 Wilson, Michael, “Cameron Martin, ‘Bracket’,” Time Out New York, April 4 White, Roger, “Immersive Uptown Gallery Experience”, Paper Monument, March Schwendener, Martha, “The Badass and the 30 Year Hallucination”, The Village Voice, Mach 9, p. 29 Lindquist, Greg, “In Conversation: Cameron Martin with Greg Lindquist”, The Brooklyn Rail, March, p. 26-28 Bollen, Chris, “Mountain Man”, Interview, March, p. 98 |
| 2010 | Blind Spot, Issue 42, collaborative project with Miranda Lichtenstein, Liz Deschenes, editor Laster, Paul, “Grass Grows by Itself”, Time Out New York, August 19-25 |
| 2009 | Wright, Jeffrey Cyphers, “Rapid Transit: Cameron Martin: Analogue”, Brooklyn Rail, April Fitchner, Brian, “Cameron Martin: Analogue”, coolhunting.com, April 1 |
| 2008 | Komarek, Eva, “Cameron Martin- Natur verbunden”, Wirtschafts Blatt Kompact, March 14, p. 18-19 Mendelsohn, Adam, “Reviews Marathon- Cameron Martin”, Art Review, February, pg 63 Rosenberg, Karen, “Art in Review: Eclipse”, The New York Times, January 4, p. E37 |
| 2007 | Weiner, Emily, “Review- Eclipse”, Time Out New York, December 27-January 2, p. 71 “Cameron Martin: Eclipse”, The New Yorker, December 17 Blair, Dike, “Editor’s Choice: Cameron Martin”, Bomb Magazine, Fall Issue, pg. 14 |
| 2006 | Watts, James, “Impermanent Illusions”, Tulsa World, June 27, p. D3 Bonetti, Davis, “ Landscapes Lack People and Power”, Saint Louis Post Dispatch, April 2 Bonetti, Davis, “Best Bets”, Saint Louis Post Dispatch, March 23 |
| 2005 | “Cameron Martin: Works on Paper”, The New Yorker, October 31 |
| 2004 | Price, Matt, “Mixed Paint- A Survey of Contemporary Painters”, Flash Art, Nov/Dec, p. 93 “Reinstating the Draft- Portraits of Painters”, V Magazine, Vol 31, Fall Kimmelman, Michael, “Whitney’s Heavy Lifters Look Back”, The New York Times, May 30, p.22 Section 2 Kim, Sheila, “Investing in Lever House”, Interior Design, May, p. 188 Sundell, Margaret, “The Today Show: the Whitney sums up contemporary art in best biennial in years”, Time Out New York, March 25-April 1, p. 56 Saltz, Jerry, “The Okay Corral”, Village Voice, March 15-21, p. 86 Goodbody, Bridget, “Review- Clear Skies”, Time Out New York, February 5-12, p. 58 “Clear Skies”, The New Yorker, February 2, p. 15 Figura, Starr, “The Random and the Ordered”, Artnet, January 29 Douglas, Sarah, “United States: our selection A-Z, The Art Newspaper, January |
| 2003 | Reed, John, “Review- Giverny”, Time Out New York, July 24-31, p.46 Tamashige, Sachiko, “Real Tokyo”, Souen, July, p. 100 “Navigation”, Brutus, July, p.110 “Complex- Ropongi”, Bijutsu-Techno, June, p.151 Hackett, Regina,”Contemporary Art Project at SAM”, Seattle Post Intelligencer, January 3 |
| 2002 | “The Artfull Lodger”, Elle Décor, November Landi, Ann, “The Power of Suggestion”, Art News, Summer “Planes”, Artist Project, Open City, Spring/Summer, vol. 15, p. 49-58 Johnson, Ken, “Art in Review: Standstill”, The New York Times, April 12, p. E36 Griffin, Tim, “Review- Standstill”, Time Out New York, April 11-18, p. 71 “Standstill”, The New Yorker, April 1 and April 8 |
| 2001 | Bayliss, Sarah, “Best Bets”, Art News, July Grant, Adriana, “Nature as Icon”, Art Access, May, p.13-14 Ocana, Damarys, “Rock and an art place”, The Miami Street, March 16-22, p.50 Finkel, Jori, “Review- Three Painters”, Time Out New York, February 8-15, p.63 “Three Painters”, The New Yorker, January 29, p.17 |
| 2000 | Temin, Christine, “Twice Born at BCA”, The Boston Globe, September 27 Silver, Joanne, “And now something different”, Boston Herald, August 11 Laureyns, Jeroen, “3ness- Licht, luchtig en vulchtig”, De Standaard, August DeVuono, Frances, “Shifting Ground at the Henry Gallery”, Artweek, May, p.31 McCabe, Brett, “Art About Art: the works of Scott Reeder and Cameron Martin”, The Met, April 12-19, p. 27 Fredericksen, Eric, “Real Real Estate: Shifting Ground at Henry”, The Stranger, March 2-8 Kofoed, Kristian, “Changing land values- imaginative exhibit at Henry Gallery”, Seattle Post Intelligencer, February 17, p. C4 |
| 1999 | Walsh, Daniella, “A well-crafted but cold exhibit”, Orange County Register, October 31 Chambers, Christopher, “Cameron Martin at Tate”, dART International, Spring/Summer Blair, Dike, “Cameron Martin at Tate”, The Thing, March/April Mitchell, Charles D., “Antiworld at gallery: untitled”, The Dallas Morning News, March 26 Hackett, Regina, “Beneath Martin’s Gray Surfaces, Flashes of Romance”, The Seattle Post Intelligencer, March 15, p.D1 Rose, Cynthia, “An Artist Returns”, The Seattle Times, March 5, p.E5 |
| 1998 | Di Rado, Elena, “N.S.E.O.”, Tema Celeste, January-March, p.63 |
| 1995 | Hackett, Regina, “COCA Puts Shabby Past Behind It”, The Seattle Post-Intelligencer, April, 3, p.E1 |
Cameron Martin: Bracket, exhibition catalogue, interview with Amy Sillman, Greenberg Van Doren Gallery, 2011
Can I Come Over to Your House? The First 10 Years of the Suburban, Poor Farm Press, 2010
Cameron Martin: analogue, essays by Martha Schwendener and Alexander Dumbadze, 144 pages, GHava{press}, 2009
Eclipse, exhibition catalogue, essay by Andrea Scott, Greenberg Van Doren Gallery, 2007
In Monet’s Garden, exhibition catalogue, essays by Joe Houston, M. Melissa Wolfe and James Yood, Scala, 2007
Focus 3: Cameron Martin, exhibition brochure, interview with Catherine Morris, Philbrook Museum, 2006
Currents 97: Cameron Martin, exhibition brochure, essay by Robin Clark, Saint Louis Art Museum, 2006
Selections from the John Morrissey Collection, catalogue essay by John Morrissey, Armory Art Center, 2006
Works on Paper: Cameron Martin, “Arbor Consanguinitatis”, story by Thad Ziolkowski, Greenberg Van Doren Gallery, 2005
Cameron Martin, catalogue essay by Martha Schwendener, Gallery Min Min, 2004
2004 Whitney Biennial Catalogue, “The Way Things Never Were: Nostalgia’s Possibilities and the Unpredictable Past”, essay by Debra Singer; artist project
The Contemporary Art Project Collection, “What Ifs: Constructed Identities and Imaginary Places in the Contemporary Art Project Collection”, exhibition catalogue essay Tara Reddy Young, Seattle Art Museum, 2002
Standstill, Introduction by Jeanne Greenberg Rohatyn, essay by Dike Blair, Artemis Greenberg Van Doren Gallery, 2002
Guide to Trust No. 2, exhibiton catalogue, Yerba Buena Center For the Arts, 2002
3ness, “Some thoughts, 3 things and 9 artists“, exhibition catalogue essay by Dike Blair, Museum Dhondt-Dhaenens, 2000
Shifting Ground: Transformed Views of the American Landscape, “New Frontiers: Secondhand Landscape“, exhibition catalogue essay by Rhonda Lane Howard, Henry Art Gallery Press, 2000